"Schmidt's play talks about young people, so self confident and free, that they don't know who they are and where they want to go. They are all artists, well-off people; they have long-distance relationships, and talk on Skype, on the phone, they chat, and do anything in order to distract from how lonely they actually are. Their fickle nature makes an ordinary life impossible. [...] Schmidt manages to convey Generation Y's inability to communicate: although the characters are situated close to one another, in reality they are kilometres away. [...] Actually, it's beautiful constantly oscillates between parody and ludic on …
