Cabaret

Cabaret

Joe Masteroff, music: John Kander, lyrics: Fred Ebb

based on John van Druten's play "I am a Camera" and on a book written by Christopher Isherwood; German version by Robert Gilbert; short version for orchestra by Chris Walker.

Stage direction and choreography by: Răzvan Mazilu

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Synopsis

In 1930s Berlin, when Nazism came to power, Sally Bowles, a young singer and dancer in a night club called Kit Kat, falls in love with Cliff Bradshaw, an American whose dream was to become a novelist. At the same time, though of old age, Ms Schneider and Mr Schultz are living their own delicate love story, which cannot materialize into marriage because he is Jewish. Between humour and resignation, ludic and decadent, fulfilled dreams and shattered ones, the fate of the characters in the musical "Cabaret" are marked by a political and social context whose influence is just at …

In 1930s Berlin, when Nazism came to power, Sally Bowles, a young singer and dancer in a night club called Kit Kat, falls in love with Cliff Bradshaw, an American whose dream was to become a novelist. At the same time, though of old age, Ms Schneider and Mr Schultz are living their own delicate love story, which cannot materialize into marriage because he is Jewish. Between humour and resignation, ludic and decadent, fulfilled dreams and shattered ones, the fate of the characters in the musical "Cabaret" are marked by a political and social context whose influence is just at the beginning. 

"Cabaret" – a world of fascination and deceit at the same time, whose scenic depiction and songs that have become hits of the genre, won the hearts of millions from the very first staging, in 1966. 

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Trailer

Distribution

Georg Peetz

Conférencier

Daniela Török

Sally Bowles

Konstantin Keidel

Cliff Bradshaw

Ida Jarcsek-Gaza

Mrs. Schneider

Christian Bormann

Mr. Schultz

Tatiana Sessler-Toami

Mrs. Kost

Radu Vulpe

Ernst Ludwig

Olga Török

Texas

Silvia Török

Helga

Anne-Marie Waldeck

Rosie

Cristina Romândaşu

Frenchie

Suzana Vrânceanu

Lulu

Horia Săvescu

Bobby

Richard Hladik

Victor

Franz Kattesch

Max

Assistant director

Alexandra Didilescu

Assistant director

Rareş Hontzu

Practician for stage direction

Isolde Cobeţ

Assistant scenographer

Ioana Popescu

Assistant choreographer

Hellen Ganser

Technical direction

Costinel Stănescu

Technical direction

Constantin Ene

Musical training

Angela Balici

Musical training

Valentina Peetz

Light design

Botond Nosz

Make-up

Lucia Preda

Assistant make-up

Sînziana Fehérvári

Choreography and stage direction

Răzvan Mazilu

Set and costumes

Dragoș Buhagiar

Music direction

Peter Oschanitzky

Stage speech

Linda Moog

Reviews

"The play area breathes naturally the evoked atmosphere, 1930s Berlin, the colour of the era with metaphorical nuances, completed by the no less evocative costumes, while the space offers dynamism and openness. […] Under the musical direction of Peter Oschanitzky, the wonderful instrumentalists expressively shape the themes that have travelled around the world in hits of many generations: Willkomen, Mein Herr, Cabaret. […] The young actors unravel here exuberant energy, exemplary dedication, eagerness to perform, dancing and singing techniques, obviously assimilated, and not just outwardly mimicked."

Mariana Ciolan in: Revista Teatrală Radio, March 2014

"Răzvan Mazilu did in Timişoara exactly what he was supposed to do. He became an energy binding factor. He knew how to ask and he gracefully received what was given to him, from the people of the place. Before anything, he received absolute devotion, in the absence of which nothing aesthetically notable could ever result. He offered and received rigour. I do not know how many of the cast members are native Germans. Surely, not many. Yet, I know that the performance is, as they say, «of German quality», it works like a Swiss clock, and it has the sensibility, …

Mircea Morariu in Adevărul, March 2014

"The German Theatre's Cabaret is one of those performances one must see again and again. It is well sung, well structured, wisely staged; one of those productions you come back to with pleasure, a form of non-thesist theatre, albeit backed by an idea, a form of theatre that any type of audience can enjoy."

Monica Andronescu in Yorick, March 2014

"Răzvan Mazilu did in Timişoara exactly what he was supposed to do. He became an energy binding factor. He knew how to ask and he gracefully received what was given to him, from the people of the place. Before anything, he received absolute devotion, in the absence of which nothing aesthetically notable could ever result. He offered and received rigour. I do not know how many of the cast members are native Germans. Surely, not many. Yet, I know that the performance is, as they say, «of German quality», it works like a Swiss clock, and it has the sensibility, passion and rhythm of the Latin soul."

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