"Visually, the show is very well upheld by the décor by Cristina Milea.
Key words such as mother, father, me and a few miniature houses, and a
lot of train tracks are written on a white wall. Train tracks where
young Paul is going to kill himself but which also make you think of the
countless roads of life. In terms of music, Perpetrators benefits from a
remarkable stage music composed by Ovidiu Iloc, a type of music where
the main theme makes you think of the sounds coming out of a boîte à
musique, from childhood times. The maximum strength point of the show is
to be looked for, as it is supposed to, in acting. Szabó K. István
benefitted, in his undertaking, of what we could call, without any
exaggeration, the ideal cast. For the roles of the two abused children
(Petra and Paul) he had as colleagues Silvia Török, very good, nuanced
and without any excesses, and Richard Hladik who, thus, had the chance
of a grand debut. For Erwin, the father grown old in evil, Rareş Hontzu
is a powerful performer, while Olga Török (Karin) is again excellent in a
composition role. Enikö Blenessy (Magda) and Daniela Török (the
Doctor), accompanied by Radu Vulpe (Karl) sign three revealing portraits
of paedophiles who mask their guilty urges with atypical arguments,
hypocrisy, obvious deceptiveness, chocolate considerations."
