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Synopsis
Troubled times: In 60s Canada, Iris, a 10 year-old girl, lives together with her parents and Miss Rose, a less liked tenant, in an ocean front house. With great affection, the little girl educates the adults in the midst of whom she lives, goes to catholic school – but considers herself to be a Buddhist – and loves her goldfish, until one day when it disappears from the already joyless home, just like all ephemeral things. On the same day her mother decides to leave her family, but fate seems to thwart her intentions. Shortly afterwards, Iris brings home a …
Troubled times: In 60s Canada, Iris, a 10 year-old girl, lives together with her parents and Miss Rose, a less liked tenant, in an ocean front house. With great affection, the little girl educates the adults in the midst of whom she lives, goes to catholic school – but considers herself to be a Buddhist – and loves her goldfish, until one day when it disappears from the already joyless home, just like all ephemeral things. On the same day her mother decides to leave her family, but fate seems to thwart her intentions. Shortly afterwards, Iris brings home a shipwrecked man who is so very much like her goldfish that she starts believing in reincarnation. Will he succeed in reuniting this family?
"At the sight of the sunny Saharan setting installed by Dragoş Buhagiar,
you may think that, this time, Afrim has directed a cheerful show. And
then the pseudo-ending, which made me exclaim that Radu's happy endings
erase all the previous drama, like a sponge erases a blackboard,
something that has never been seen before in anything he staged (maybe a
little bit, but just a little bit, in The Avalanche). I was so far off!
Girl in the Goldfish Bowl, the latest show by Afrim, at the German
State Theatre Timişoara, is nothing like that – it's balanced to the …
"I don't know why or because of whom, but those performing here
(especially Silvia Török, incredible and disturbing as the little girl
Iris, Alex Halka, Olga Török, Horia Săvescu and Rareş Hontzu) are not
known/rewarded/applauded as much as they should be in the Romanian
theatre. They possess great talent, absolutely great, doubled by an
obvious stage discipline, down to the finest details in the composition.
This is something worth framing, my dear readers."
"Although tears may flow, this show of perfect beauty, like that of a
fine porcelain doll, makes one believe that the goldfish actually does
exist sometimes. And since it grants us three wishes, here we go: 1. It
would be nice if the future UNITER jury nominated Silvia Török for the
Debut Award. She is so good in the little girl's part that, when they
walked out of the hall, people wondered how old that child really was
and how could she have memorized all those lines. In real life, she is a
true actress, a fresh graduate from Cluj, …
"At the sight of the sunny Saharan setting installed by Dragoş Buhagiar,
you may think that, this time, Afrim has directed a cheerful show. And
then the pseudo-ending, which made me exclaim that Radu's happy endings
erase all the previous drama, like a sponge erases a blackboard,
something that has never been seen before in anything he staged (maybe a
little bit, but just a little bit, in The Avalanche). I was so far off!
Girl in the Goldfish Bowl, the latest show by Afrim, at the German
State Theatre Timişoara, is nothing like that – it's balanced to the
very end, when it made me cry heavily and want to jump from my seat and
rush onto stage and hug the little girl who swam through her childhood
years like Ahmal the fish. In a circle. […] these five characters
brought together by the Canadian playwright Morris Panych and into which
Afrim breathed life (as flickering as it may be, and filled with
emptiness and feelings reflected upon rather than felt) seem isolated
from any reality that they should live outside their home on the sea
shore, but they are so well-anchored in their own lives, like in a
fishing trawl, that one starts to think that any possible change would
unbalance and destroy them. A mere illusion."
"Although tears may flow, this show of perfect beauty, like that of a
fine porcelain doll, makes one believe that the goldfish actually does
exist sometimes. And since it grants us three wishes, here we go: 1. It
would be nice if the future UNITER jury nominated Silvia Török for the
Debut Award. She is so good in the little girl's part that, when they
walked out of the hall, people wondered how old that child really was
and how could she have memorized all those lines. In real life, she is a
true actress, a fresh graduate from Cluj, where she studied under one
of the best professors in the Romanian vocational education system,
Miklos Bacs. 2. We would like that all actors in all theatres be as good
as these Germans from Timişoara. And 3. Actually, you know what? We
don't even need to make a third wish. The theatre goldfish is always
with us and he answers by the name of Radu Afrim."